Directed by Ariel Vida, Trim Season follows the story of Emma, who is struggling financially and jobless. She reluctantly joins her friend Julia for a two-week marijuana trimming job, hoping to make some quick cash. Alongside three other women, they find their camaraderie tested when they discover that their place of employment is in a remote, mountainous area. Their employer, Mona, though initially welcoming, harbors a sinister secret.

From its gripping opening scene, Trim Season blends horror and suspense with elements of witchcraft and gore. It’s not for the faint-hearted; viewers sensitive to blood might want to steer clear. However, for those drawn to intense, close-up horror, this film delivers. One notable aspect is that these elements are somewhat sparse throughout the majority of the film, with a rapid escalation in the last 20 minutes. This pacing may leave some viewers feeling that the buildup lacked consistency, though it undeniably packs a punch in its final act.

The film delves into the booming marijuana industry, portraying how easily one can become entangled in its allure. An industry once heavily criminalized has swiftly transitioned into a legal, profitable market, attracting a diverse array of participants. Ariel Vida’s decision to spotlight this unconventional topic was very intriguing to me. Emma’s desperation for money and stability is a feeling that resonates with many viewers, leading her to take drastic measures as a last resort. Her character arc is notable, transforming from a soft-spoken woman who never speaks up for herself into a courageous leader who fights for her friends. However, despite this development, Emma’s motivations and desires remain somewhat underexplored. While we witness her growth and increasing bravery, there is a lingering question: What does Emma truly want? It felt to me that her main reason for accepting a marijuana trimming job wasn’t just for the money and I wish that it was explored further.