Reel 2 Real

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Director Eva Husson on ‘Girls of the Sun’ & The Truth on American and French Feminism

April 24, 2019
ATM: What powerful dynamics do you see in the female lead character? EH: You rarely see a film leader onscreen in
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Director Justin O’Neal Miller Speaks on the Film ‘Peggy,” America’s Birthday Culture, and Astrology

April 23, 2019
ATM: Today, for America, the standard for the birthday culture has gotten very commercialized. In the sense that it is not
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Director Monique Sorgen on America’s Marriage Culture and new film ‘Sorry, Not Sorry’

April 18, 2019
ATM: In America, the prevalence of marriage has changed. Before it was the expected thing when two people express romantic feelings
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Scott Crawford Takes Us Through Music Journalism with His Documentary

April 12, 2019
During the 70s, Rock N’ Roll music was climbing the charts. This genre of music has been documented in the film Boy
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Director Jesse V. Johnson on ‘Triple Threat’

April 10, 2019
ATM: How do the character perceive pain in the fight scenes and emotionally? JJ: This is an interesting one. When making
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Director Theo Love Speaks on ‘The Legend of Cocaine Island’

April 5, 2019
ATM sits with Filmmaker/Director Theo Love about putting a light-hearted sense to the business of cocaine. He discusses his recent Netflix
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Inside ‘The Hummingbird Project’ with Pierre Even

April 4, 2019
Canadian Pierre Even worked as a producer on the recent film The Hummingbird Project with the writer and director Kim Nguyen.
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Director Stephen Surjik talks words + numbers and children in Netflix’s ‘Umbrella Academy’

April 3, 2019
ATM: In this series, a different approach was put on the children in their naming process. They were given numbers, but
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Director Michael Dweck keeping the car racing tradition alive in ‘The Last Race’

April 3, 2019
ATM: How has the American racing tradition established a bond between people of different backgrounds? MD: Well, I can only speak
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Indian filmmaker Chaubey on Indian & American Gangs, Drugs and Government in the 70s-80s

March 29, 2019
ATM: In relation to your recent film Sonchiriya, as a child, what knowledge do you believe was lacking in understanding bandits